Mark

Japan Loopstation Community Organizer

エフェクトのプリセットはJLCのMembershipで公開されています

The effect chain presets listed here are available through JLC’s membership

    1. HPF
      RATE: 0
      DEPTH: 0
      RESONANCE: 66
      CUTOFF: 11

    2. EQ
      LO GAIN: +20dB
      HI GAIN: +16dB
      LO MID: 160Hz, 0.5, -20dB
      HI MID: 2.00kHz, 0.5, +8dB

    アウトワードのキックの音で作っている

    This sound is created from an outward kick

    1. HPF
      RATE: 0
      DEPTH: 0
      RESONANCE: 70
      CUTOFF: 11

    2. EQ
      LO GAIN: +20dB
      HI GAIN: +20dB
      LO MID: 200Hz, 0.5, -20dB
      HI MID: 2.00kHz, 0.5, +5dB

    3. PREAMP
      AMP TYPE: FULL RANGE
      SPEAKER TYPE: OFF
      GAIN: 10
      T-COMP: 20
      BASS: 50
      MIDDLE: 50
      TREBLE: 50
      PRESENCE: 50

    4. SUSTAINER
      ATTACK: 50
      RELEASE: 0
      LEVEL: 8
      LO GAIN: 0dB
      Hi GAIN: 0dB
      SUSTAIN: 100

    アウトワードのキックの音で作っている

    This sound is created from an outward kick

    1. CHORUS
      RATE: 50
      DEPTH: 50
      LO CUT: 2.0kHz
      HI CUT: FLAT

    2. EQ
      LO GAIN: -20dB
      HI GAIN: +12dB
      LO MID: 4.00kHz, 0.5, +7dB
      HI MID: 10.0kHz, 0.5, -6dB

    3. REVERB
      TIME: 0.6s
      PRE DELAY: 1ms
      DENSITY: 9
      LO CUT: 500Hz
      HI CUT: 8.00kHz
      D.LEVEL: 100
      E.LEVEL: 75

    1. EQ
      LO GAIN: -20dB
      HI GAIN: +12dB
      LO MID: 4.00kHz, 0.5, +7dB
      HI MID: 10.0kHz, 0.5, -6dB

    2. GATE REVERB
      TIME: 0.1s
      PRE DELAY: 0ms
      THRESHOLD: 33
      LO CUT: 5.00kHz
      HI CUT: FLAT
      D.LEVEL: 100
      E.LEVEL: 100

    1. PREAMP
      AMP TYPE: NATURAL CLEAN
      SPEAKER TYPE: OFF
      GAIN: 8
      T-COMP: 20
      BASS: 60
      MIDDLE: 20
      TREBLE: 60
      PRESENCE: 80

    2. HPF
      CUTOFF: 42

    3. CHORUS
      RATE: 100
      DEPTH: 50
      LO CUT: 1.00kHz
      HI CUT: FLAT
      D.LEVEL: 80
      E.LEVEL: 80

    1. CHORUS
      RATE: 50
      DEPTH: 50
      LO CUT: 2.00kHz
      HI CUT: FLAT

    2. HPF
      CUTOFF: 100

    3. LO-FI
      BIT DEPTH: 1
      SAMPLE RATE: OFF
      BALANCE: 100

    4. EQ
      LO GAIN: +10dB
      HI GAIN: +10dB
      LO MID: 315Hz, 0.5, +10dB
      HI MID: 2,00kHz, 1, -8dB

    ノーワードのKスネアの音で作っている

    This sound is created from a no-word K snare

    1. GNR DELAY
      TIME: 53
      FEEDBACK: 100

    2. TRANSPOSE

    3. LO-FI
      BIT DEPTH: 1
      SAMPLE RATE: 0
      BALANCE: 66

    4. TREMOLO
      RATE: ♩
      DEPTH: 100
      WAVE FORM: 33
      (DEPTH SEQUENCE)

    マイクを軽く叩いた音でベースの音を作る

    The bass sound is made by applying effects to the sound of lightly tapping the microphone

    1. OSC BOT
      OSC: SAW
      TONE: 0
      ATTACK: 100
      NOTE: D1
      MODSENS: 0
      BALANCE: 100

    2. PREAMP
      AMP TYPE: CORE METAL
      SPEAKER TYPE: OFF
      GAIN: 20
      T-COMP: 0
      BASS: 60
      MIDDLE: 96
      TREBLE: 54
      PRESENCE: 100

    1. OSC BOT
      OSC: SAW
      TONE: -50
      NOTE: E2

    2. LPF
      CUTOFF: 12

    3. SYNTH
      FREQUENCY: 100
      RESONANCE: 0
      DECAY: 100
      BALANCE: 100

    4. PREAMP
      AMP TYPE: NATURAL CLEAN
      SPEAKER TYPE: OFF

    トラックのTEMPO SYNC MODEをPITCHにして0.5倍速にすると1オクターブ下がり、これにTRANSPOSEをかけるとベースラインを作ることができる

    By setting the track’s TEMPO SYNC MODE to PITCH and slowing it down to 0.5x speed, it drops one octave. Applying TRANSPOSE to this lets you create a bassline.

    • LPF
      RATE: 0
      DEPTH: 98
      RESONANCE: 98
      CUTOFF: 21

    • DIST
      TYPE: DS
      TONE: 0
      DIST: 30

    • OCTAVE
      OCTAVE: -1 OCT
      MODE: 2
      OCTAVE LEVEL: 100

    • EQ

    舌を弾くような音（Beatboxのコンガの音）にエフェクトをかけて作っています

    It’s created by applying effects to the tongue-flicking sound of the “te” articulation (the Beatbox Dry Kick)

    1. OSC BOT
      OSC: SAW
      TONE: -50
      NOTE: E2

    2. LPF
      CUTOFF: 12

    3. LO-FI
      BIT DEPTH: 4
      SAMPLE RATE: OFF
      BALANCE: 100

    トラックのTEMPO SYNC MODEをPITCHにして2倍速にすると1オクターブ上がり、これにTRANSPOSEやPITCH BENDをかけてメロディーを作る

    By setting the Track’s Tempo Sync Mode to Pitch, doubling the speed raises the sound by one octave. Combining this with Transpose or Pitch Bend allows you to craft melodic phrases.

    1. OSC BOT
      OSC: SAW
      TONE: -50
      NOTE: E2

    2. LPF
      CUTOFF: 12

    3. SYNTH
      FREQUENCY: 100
      RESONANCE: 0
      DECAY: 100
      BALANCE: 100

    4. PREAMP
      AMP TYPE: NATURAL CLEAN
      SPEAKER TYPE: OFF

    トラックのTEMPO SYNC MODEをPITCHにして2倍速にすると1オクターブ上がり、これにTRANSPOSEやPITCH BENDをかけてメロディーを作る

    By setting the Track’s Tempo Sync Mode to Pitch, doubling the speed raises the sound by one octave. Combining this with Transpose or Pitch Bend allows you to craft melodic phrases.

SQUARE Wave

    1. GNR DELAY
      TIME: 38
      FEEDBACK: 100

    2. TRANSPOSE

    TRANSPOSEが切り替わるタイミングでトラックにオーバーダブしている

    Overdubbing on the track as TRANSPOSE changes