PREAMP

PREAMP は入力信号を増幅しつつ、アンプ固有のサチュレーションやトーンの特性を再現するエフェクトです

クリーンなサウンドからドライブ感のあるサウンドまで幅広く対応し、スピーカータイプやマイク設定を組み合わせて音作りを行えます

PREAMP is an effect that amplifies the input signal while reproducing the saturation and tonal characteristics unique to amplifiers.

It covers a wide range of sounds, from clean tones to driven ones, and allows for detailed sound design by combining speaker types and microphone settings.

Parameter

① AMP TYPE: 使用するアンプのモデルを設定

② SPK TYPE: スピーカーの種類を設定

③ GAIN: アンプの歪み具合を設定、数値を上げるとサチュレーションやドライブ感が増加

④ T-COMP: アンプのコンプレッション感を設定

⑤ BASS: 低域の音質を設定

⑥ MIDDLE: 中域の音質を設定

⑦ TREBLE: 高域の音質を設定

⑧ PRESENCE: 超高域の音質を設定

⑨ MIC TYPE, MIC DIS, MIC POS: スピーカーを収音するマイクの種類、録音方法、距離を設定

⑩ E.LEVEL: エフェクト音の音量を設定

※9種類のアンプが搭載
JC-120/ NATURAL CLEAN/ FULL RANGE/ COMBO CRUNCH/ STACK CRUNCH/ HIGAIN STACK/ POWER DRIVE/ EXTREM LEAD/ CORE METAL

① AMP TYPE: Selects the amplifier model to be used.

② SPK TYPE: Selects the type of speaker.

③ GAIN: Sets the degree of amplifier distortion; increasing the value adds more saturation and drive.

④ T-COMP: Adjusts the compression characteristic of the amplifier.

⑤ BASS: Sets the tonal quality of the low frequencies.

⑥ MIDDLE: Sets the tonal quality of the mid frequencies.

⑦ TREBLE: Sets the tonal quality of the high frequencies.

⑧ PRESENCE: Sets the tonal quality of the ultra-high frequencies.

⑨ MIC TYPE, MIC DIS, MIC POS: Configure the microphone type, recording method, and distance for capturing the speaker.

⑩ E.LEVEL: Sets the volume of the effected sound.

※ 9 amplifier models are included: JC-120 / NATURAL CLEAN / FULL RANGE / COMBO CRUNCH / STACK CRUNCH / HIGAIN STACK / POWER DRIVE / EXTREME LEAD / CORE METAL

Category

EQ
Comp
Grit

Demo

Effect Chains

    1. HPF
      RATE: 0
      DEPTH: 0
      RESONANCE: 70
      CUTOFF: 11

    2. EQ
      LO GAIN: +20dB
      HI GAIN: +20dB
      LO MID: 200Hz, 0.5, -20dB
      HI MID: 2.00kHz, 0.5, +5dB

    3. PREAMP
      AMP TYPE: FULL RANGE
      SPEAKER TYPE: OFF
      GAIN: 10
      T-COMP: 20
      BASS: 50
      MIDDLE: 50
      TREBLE: 50
      PRESENCE: 50

    4. SUSTAINER
      ATTACK: 50
      RELEASE: 0
      LEVEL: 8
      LO GAIN: 0dB
      Hi GAIN: 0dB
      SUSTAIN: 100

    アウトワードのキックの音で作っている

    This sound is created from an outward kick

    1. PREAMP
      AMP TYPE: NATURAL CLEAN
      SPEAKER TYPE: OFF
      GAIN: 8
      T-COMP: 20
      BASS: 60
      MIDDLE: 20
      TREBLE: 60
      PRESENCE: 80

    2. HPF
      CUTOFF: 42

    3. CHORUS
      RATE: 100
      DEPTH: 50
      LO CUT: 1.00kHz
      HI CUT: FLAT
      D.LEVEL: 80
      E.LEVEL: 80

    1. OSC BOT
      OSC: SAW
      TONE: 0
      ATTACK: 100
      NOTE: D1
      MODSENS: 0
      BALANCE: 100

    2. PREAMP
      AMP TYPE: CORE METAL
      SPEAKER TYPE: OFF
      GAIN: 20
      T-COMP: 0
      BASS: 60
      MIDDLE: 96
      TREBLE: 54
      PRESENCE: 100

    1. OSC BOT
      OSC: SAW
      TONE: -50
      NOTE: E2

    2. LPF
      CUTOFF: 12

    3. SYNTH
      FREQUENCY: 100
      RESONANCE: 0
      DECAY: 100
      BALANCE: 100

    4. PREAMP
      AMP TYPE: NATURAL CLEAN
      SPEAKER TYPE: OFF

    トラックのTEMPO SYNC MODEをPITCHにして0.5倍速にすると1オクターブ下がり、これにTRANSPOSEをかけるとベースラインを作ることができる

    By setting the track’s TEMPO SYNC MODE to PITCH and slowing it down to 0.5x speed, it drops one octave. Applying TRANSPOSE to this lets you create a bassline.

    1. OSC BOT
      OSC: SAW
      TONE: -50
      NOTE: E2

    2. LPF
      CUTOFF: 12

    3. SYNTH
      FREQUENCY: 100
      RESONANCE: 0
      DECAY: 100
      BALANCE: 100

    4. PREAMP
      AMP TYPE: NATURAL CLEAN
      SPEAKER TYPE: OFF

    トラックのTEMPO SYNC MODEをPITCHにして2倍速にすると1オクターブ上がり、これにTRANSPOSEやPITCH BENDをかけてメロディーを作る

    By setting the Track’s Tempo Sync Mode to Pitch, doubling the speed raises the sound by one octave. Combining this with Transpose or Pitch Bend allows you to craft melodic phrases.