EQ

EQ（イコライザー）は、音の帯域ごとのバランスを調整するエフェクトです

低域・中域・高域をブースト（増幅）またはカット（減衰）することで、音の明るさ、存在感、抜け感などをコントロールし、不要な帯域を削って全体を聴きやすく整える用途に使われます

EQ (Equalizer) is an effect that adjusts the balance of sound across different frequency bands.

By boosting or cutting the low, mid, and high ranges, it controls brightness, presence, and clarity, while removing unwanted frequencies to create a more balanced and listenable overall sound.

Parameter

① LOW GAIN: 低域の音量を設定

② HIGH GAIN: 高域の音量を設定

③ LO-MID FREQ: 調整する帯域の中心周波数を設定

④ LO-MID Q: 調整する帯域の帯域幅（Q幅）を設定

⑤ LO-MID GAIN: 調整する帯域の音量を設定

⑥ HI-MID FREQ: 調整する帯域の中心周波数を設定

⑦ HI-MID Q: 調整する帯域の帯域幅（Q幅）を設定

⑧ HI-MID GAIN: 調整する帯域の音量を設定

⑨ LEVEL: 全体の音量を設定

① LOW GAIN: Sets the volume of the low frequencies.

② HIGH GAIN: Sets the volume of the high frequencies.

③ LO-MID FREQ: Sets the center frequency of the low-mid band to be adjusted.

④ LO-MID Q: Sets the bandwidth (Q factor) of the low-mid band.

⑤ LO-MID GAIN: Sets the volume of the low-mid band.

⑥ HI-MID FREQ: Sets the center frequency of the high-mid band to be adjusted.

⑦ HI-MID Q: Sets the bandwidth (Q factor) of the high-mid band.

⑧ HI-MID GAIN: Sets the volume of the high-mid band.

⑨ LEVEL: Sets the overall output volume.

Category

EQ

Demo

Effect Chains

    1. HPF
      RATE: 0
      DEPTH: 0
      RESONANCE: 66
      CUTOFF: 11

    2. EQ
      LO GAIN: +20dB
      HI GAIN: +16dB
      LO MID: 160Hz, 0.5, -20dB
      HI MID: 2.00kHz, 0.5, +8dB

    アウトワードのキックの音で作っている

    This sound is created from an outward kick

    1. HPF
      RATE: 0
      DEPTH: 0
      RESONANCE: 70
      CUTOFF: 11

    2. EQ
      LO GAIN: +20dB
      HI GAIN: +20dB
      LO MID: 200Hz, 0.5, -20dB
      HI MID: 2.00kHz, 0.5, +5dB

    3. PREAMP
      AMP TYPE: FULL RANGE
      SPEAKER TYPE: OFF
      GAIN: 10
      T-COMP: 20
      BASS: 50
      MIDDLE: 50
      TREBLE: 50
      PRESENCE: 50

    4. SUSTAINER
      ATTACK: 50
      RELEASE: 0
      LEVEL: 8
      LO GAIN: 0dB
      Hi GAIN: 0dB
      SUSTAIN: 100

    アウトワードのキックの音で作っている

    This sound is created from an outward kick

    1. CHORUS
      RATE: 50
      DEPTH: 50
      LO CUT: 2.0kHz
      HI CUT: FLAT

    2. EQ
      LO GAIN: -20dB
      HI GAIN: +12dB
      LO MID: 4.00kHz, 0.5, +7dB
      HI MID: 10.0kHz, 0.5, -6dB

    3. REVERB
      TIME: 0.6s
      PRE DELAY: 1ms
      DENSITY: 9
      LO CUT: 500Hz
      HI CUT: 8.00kHz
      D.LEVEL: 100
      E.LEVEL: 75

    1. EQ
      LO GAIN: -20dB
      HI GAIN: +12dB
      LO MID: 4.00kHz, 0.5, +7dB
      HI MID: 10.0kHz, 0.5, -6dB

    2. GATE REVERB
      TIME: 0.1s
      PRE DELAY: 0ms
      THRESHOLD: 33
      LO CUT: 5.00kHz
      HI CUT: FLAT
      D.LEVEL: 100
      E.LEVEL: 100

    1. CHORUS
      RATE: 50
      DEPTH: 50
      LO CUT: 2.00kHz
      HI CUT: FLAT

    2. HPF
      CUTOFF: 100

    3. LO-FI
      BIT DEPTH: 1
      SAMPLE RATE: OFF
      BALANCE: 100

    4. EQ
      LO GAIN: +10dB
      HI GAIN: +10dB
      LO MID: 315Hz, 0.5, +10dB
      HI MID: 2,00kHz, 1, -8dB

    ノーワードのKスネアの音で作っている

    This sound is created from a no-word K snare

    • LPF
      RATE: 0
      DEPTH: 98
      RESONANCE: 98
      CUTOFF: 21

    • DIST
      TYPE: DS
      TONE: 0
      DIST: 30

    • OCTAVE
      OCTAVE: -1 OCT
      MODE: 2
      OCTAVE LEVEL: 100

    • EQ

    舌を弾くような音（Beatboxのコンガの音）にエフェクトをかけて作っています

    It’s created by applying effects to the tongue-flicking sound of the “te” articulation (the Beatbox Dry Kick)