BASS

    1. GNR DELAY
      TIME: 53
      FEEDBACK: 100

    2. TRANSPOSE

    3. LO-FI
      BIT DEPTH: 1
      SAMPLE RATE: 0
      BALANCE: 66

    4. TREMOLO
      RATE: ♩
      DEPTH: 100
      WAVE FORM: 33
      (DEPTH SEQUENCE)

    マイクを軽く叩いた音でベースの音を作る

    The bass sound is made by applying effects to the sound of lightly tapping the microphone

    1. OSC BOT
      OSC: SAW
      TONE: 0
      ATTACK: 100
      NOTE: D1
      MODSENS: 0
      BALANCE: 100

    2. PREAMP
      AMP TYPE: CORE METAL
      SPEAKER TYPE: OFF
      GAIN: 20
      T-COMP: 0
      BASS: 60
      MIDDLE: 96
      TREBLE: 54
      PRESENCE: 100

    1. OSC BOT
      OSC: SAW
      TONE: -50
      NOTE: E2

    2. LPF
      CUTOFF: 12

    3. SYNTH
      FREQUENCY: 100
      RESONANCE: 0
      DECAY: 100
      BALANCE: 100

    4. PREAMP
      AMP TYPE: NATURAL CLEAN
      SPEAKER TYPE: OFF

    トラックのTEMPO SYNC MODEをPITCHにして0.5倍速にすると1オクターブ下がり、これにTRANSPOSEをかけるとベースラインを作ることができる

    By setting the track’s TEMPO SYNC MODE to PITCH and slowing it down to 0.5x speed, it drops one octave. Applying TRANSPOSE to this lets you create a bassline.

    • LPF
      RATE: 0
      DEPTH: 98
      RESONANCE: 98
      CUTOFF: 21

    • DIST
      TYPE: DS
      TONE: 0
      DIST: 30

    • OCTAVE
      OCTAVE: -1 OCT
      MODE: 2
      OCTAVE LEVEL: 100

    • EQ

    舌を弾くような音（Beatboxのコンガの音）にエフェクトをかけて作っています

    It’s created by applying effects to the tongue-flicking sound of the “te” articulation (the Beatbox Dry Kick)